NYC Gazette

Chinese bronzes from the 12th to the 19th century, a significant yet often overlooked category of Chinese art, are the focus of an upcoming exhibition. In ancient China, bronze vessels symbolized ritual and power. Between 1100 and 1900, these vessels were rediscovered as representations of a bygone golden age worthy of study and emulation. This "return to the past" (fugu) was part of a broader movement across various arts to reclaim classical traditions. A key aspect was reviving bronze casting as a major art form. While archaic bronzes served as containers for food or wine, later bronzes adapted antique shapes and motifs for new functions such as incense burners, flower vases, and scholar objects. Despite their historical significance, later Chinese bronzes have been stigmatized as poor imitations rather than recognized as unique creations with distinct aesthetic and functional qualities.

The exhibition aims to correct misconceptions about later Chinese bronzes by showcasing important pieces alongside complementary works including painting, calligraphy, ceramics, lacquers, and jades. It features around 100 pieces from The Met collection supplemented by nearly 100 loans from major institutions in China, Japan, Korea, Germany, France, the United Kingdom, and the United States. This presentation offers a comprehensive narrative on the enduring importance of bronzes in China's artistic history.

The exhibition is supported by the Florence and Herbert Irving Fund for Asian Art Exhibitions and the Joseph Hotung Fund. Transportation is provided by China Eastern Airlines with additional support from American Friends of the Shanghai Museum, Burrows Foundation, and The Dillon Fund.

Organized by The Metropolitan Museum of Art and the Shanghai Museum, the catalogue is made possible by the Florence and Herbert Irving Fund for Asian Art Publications.