NYC Gazette

Yasmine El Rashidi, in an excerpt from her book "Laughter in the Dark: Egypt to the Tune of Change," sheds light on the current state of Egypt, describing it as the most oppressive point in its modern history. El Rashidi contrasts the clear political red lines under former President Hosni Mubarak with the expanded restrictions imposed under the current President Abdel Fattah El-Sisi, which now encompass not only political discourse but also cultural expressions deemed morally offensive.

The excerpt delves into the crackdown on social media influencers and the arbitrary nature of arrests, highlighting the stifling atmosphere created by citizen patrolling and the constant shifting of parameters. Despite these constraints, Egypt's independent music scene, particularly the Arabic hip-hop genre known as mahraganat, has been thriving. These artists, drawing inspiration from Western icons like Snoop Dogg and Tupac, use their lyrics to address personal, political, and socioeconomic realities that challenge societal norms and government restrictions.

El Rashidi emphasizes the significance of these young musicians who have garnered millions of followers online and continue to push the boundaries of expression in a country where individual freedoms are under threat. She notes that the younger generation, comprising a significant portion of Egypt's population, holds the key to shaping the country's future.

The book excerpt serves as a snapshot of a transformative moment in Egypt, focusing on the fearless and uninhibited identities of the music hipsters who refuse to conform to traditional norms. These artists, who came of age during the Egyptian Revolution, embody a spirit of independence and free expression that stands in stark contrast to the prevailing atmosphere of repression.

As Egypt grapples with a burgeoning youth population and evolving cultural landscapes, the voices of these music artists offer a glimpse into a segment of society that is unafraid to challenge the status quo. Their music not only entertains but also serves as a form of resistance against the constraints imposed by the state.

In conclusion, El Rashidi's exploration of Egypt's hip-hop scene underscores the ongoing struggle for freedom of expression and individuality in a country where political uncertainties loom large. The resilience and creativity of these young musicians serve as a reminder that Egypt's revolution is far from over, with the potential for change and transformation still echoing through the voices of its youth.